much of our conversation has centered upon the revealing that something is not what it appears to be, and also the need for thresholds (think the hiding of cherubin, or upon the gallery . . )
a primary directive: bringing the edge back to Figaro - making it matter (which is definitely something that was missing from the TNM production)
so . . heigthened risk in the scenic and costume design?
gun-toting latino/americano mafia in florida? . . we briefly described Cuba after the revolution, but the assumption of a stifling or supressing environment would not be helpful . . it should be an environment of playful springtime bloom
Niagara Falls in the 20s . . ?
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